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About Enamelling: ...... Champlevé ....... Celtic Enamelling......  Grisaille......  Cloisonné  ....... Enamel History....... Enamelling Resources
CHAMPLEVÉ TECHNIQUE

The technique I use is one that was developed around the 3rd century BC. It was developed in Europe and used by the Romans as well as Celtic tribes.

The ancient Celts would have gouged out the metal to make space for enamel, or cast a piece of metal using the lost wax method. I use the more modern method of etching to create the same effect. This involves preparing the copper by annealing and cleaning, and applying the design with an etch resist.I make the resist myself by combining asphaltum, beeswax and rosin. The asphaltum creates a strong resist to the acid, the beeswax helps to keep it from becoming brittle, and the rosin helps it to adhere to the metal. The edges of the design must then be perfectly defined with a scribe, as any flaws will be etched into the finished piece. I use ferric chloride, a chemical salt, to etch the copper. This solution is slower and safer than acid, and it gives me more control.


first rough coat of resist

lines refined and second coat of resist

after being removed from the ferric chloride 

resist removed with ammonia-ready for enamelling

I also employ a technique called "bas taille", where some of the resist is scratched off half way through the etching process, so that two levels of etched design are created.

After the resist is applied, the pieces are placed in a vat of ferric chloride solution that is agitated with an air hose to keep the corrosive particles moving evenly around the pieces. This process takes anywhere from 20 to 30 hours. When the piece is ready, it is placed in ammonia to remove the resist and the ferric residue. It is again annealed and cleaned. The grains of enamel are wet charged into the depressions with a small spoon, and fired when dry.

Each piece is fired approximately 5 to 7 times depending on the depth of the etch and the relative hardness of the colours. All pieces are counter-enamelled for stability and strength. The piece is then sanded, refired and polished. The final steps are the application of a coat of lacquer to prevent tarnishing and the addition of findings where necessary. The entire process takes at least five days.
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all text and photographs © 2001 - 2009,
Catherine Crowe