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AN DROICHEAD

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.About Enamelling: ............... Champlevé ...............  Enamel History ................ Celtic Enamelling  ................ Enamelling Resources
CELTIC ENAMELLING

By pouring molten glass into small circles of wire, ancient craftsmen could imitate gems. From this simple technique, the art of cloisonné was developed. The French word 'cloison' means 'cell' because the design is created using cells of wire.

The European Celts were the first to develop enamelling as an art in its own right using a technique now called champlevé (400 BC). The French word 'champ' means 'field' and the word 'levé' means 'raised' because the design is created using a raised field of metal. The copper or bronze was engraved or cast to create depressions in the metal into which the molten glass was poured.

The early Celts, while exposed to many different cultures (Greek, Etruscan, Scythian, Roman, etc.), and certainly influenced by them, nevertheless retained their individuality. They borrowed ideas and designs that were congenial to their own beliefs, and left aside much that did not interest them. Everything that they borrowed however, they made their own by bringing their own unique design sense.

Catherine's Irish heritage (her father was born in Limerick) led her to investigate its history in an attempt to understand the enduring nature of the culture, and also its strong appeal to modern man. While she was first attracted, like most people, to the beautiful illuminated manuscripts of the eighth and ninth centuries AD, she began to realize that this was only a small part of the design repertoire of a people whose history could be traced back to the fifth century BC. Now, many of Catherine's pieces are based on much older, simpler and bolder designs that come from the metalwork of the fourth century BC to fourth century AD. She has made a special study of the history, archaeology and art history of this period.

For Catherine the striking feature about this, and many other so-called "primitive" cultures, is how every aspect of life was interconnected. In modern life music, art and literature are separated from our daily existence and life is compartmentalized. In her work, and in her life Catherine is attempting to recapture some of that lost sense of unity.

all text and photographs © 2001 - 2008,
Catherine Crowe