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From
1975-79 Catherine acquired a BA in Philosophy and
History. At this time,
her goal was to enter the Catholic Church as a
priest, but it became clear quickly that the
church was not moving in this direction and
she decided to change course.
So she ventured into the world of low paying day jobs
and theatre. She was bitten by the theatre bug in
junior high and never lost her love for
theatre, working as a professional
both back and on stage for some years.
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photo by Gwyneth
MacArthur
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However theatre
proved frustrating as an artistic pursuit, she felt
she had too little creative control over the outcome.
Just
around this time she had started attending Irish music
sessions at the Unicorn pub on Eglinton Avenue. Her
great friend and mentor - her uncle Gerry Crowe - had
introduced her into the thriving cultural scene that
was Toronto's Irish community. She soon became hooked
on Irish music and culture - eventually travelling to
Ireland, Scotland and Brittany with long time partner
and musical mentor Ian Goodfellow.
While in Ireland she discovered the beautiful enamels
that were part of the Celtic art of the European Iron
age and she was smitten. She also met Ola
Gorie (a distant relation of Ian's) and was
inspired by her use of traditional designs to make
modern jewellery, and also by her generosity and
encouragement. On returning to Canada she taught
herself enamelling largely from books, but especially
using "The Art of Champlevé and Cloisonné
Enamelling" by Patrick and Judith Lull Stroshal
and Coral Schaffer (now, sadly out of print)
She began selling her work first on the street in
Toronto's funky Queen St W entertainment district
(Queen & Soho), but eventually moved to shows. She
didn't do ‘craft’ shows - preferring the more
diverse milieu of folk and cultural festivals
where people were more likely to relate to the
mythological and folkloric nature of her work. Now she tends to
concentrate on Conferences (archaeological, anthropological
and cultural) which focus more specifically on
understanding and teaching cultural values in more
depth. In tandem with
teaching herself enamels she has been studying Celtic/Irish
folklore, art history, archaeology and mythology - which are her
main sources of inspiration. This research is ongoing,
and occasionally leads to her giving papers (like this
one) at cultural Conferences as well as exhibiting.
Starting in 2000 she has taken classes with
Faye Rook, an internationally renowned enamellist who
taught at Ontario College of Art for many years. This has stimulated her
work enormously, helping her focus on technique as
well as content. She has also begun her own teaching
career - starting at folk schools and now finding a
home in the Fashion and Jewellery Department at George
Brown College's Continuing Education Division.
Most of her current shows are in the USA. She divides her time between
enamelling,
singing, researching and teaching; and enjoys
immensely the endless adventure of life on the road.
She hopes you will come and visit her at one of her
shows, as she loves lively conversation above all
things.
To get on the mailing list for Catherine's annual
newsletter, send an e-mail to imagocorvi AT gmail.com
(please replace the AT with @)
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